There is Space for You Here (Remember)
Crafted 
entirely from fragments of discarded words, mouth sounds and breaths, my
 latest, There Is Space For You Here (Remember) explores the spaces we 
dispose of in the editing process. All sounds are rooted in land, even 
when we try and remove that context through studios and closets and 
doonas (duvets), our soundscapes and field recordings and voiceovers 
are complicit in the act of colonisation, in the process of capturing 
and taking. I’m interested in ways we can recognize this and have more 
conversations about audio recording and the politics of land and voice. 
In making this piece, I acknowledge the Traditional Custodians of the 
land. I recorded this audio on the lands of the Bunurong Boon Wurrung 
and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation. I pay 
respect to their Elders past, present and emerging and acknowledge that 
Aboriginal Australians have one of the oldest storytelling cultures and 
ties to land in the world. It was stolen by white settlers and the 
struggles for decolonization of this land continue. It always was and 
always will be Aboriginal land.
For a while I’ve been interested 
in working with the sounds we edit out in the process of making podcasts
 , the clicks and pops. Deleted words. Erased breaths. So I made a 
piece, a bit of a song if you will, all from bits of space that had been
 thrown away during a particular recording session. I’ve been 
questioning what makes a voice ‘listenable’ and how to subvert the 
process of ‘cleaning and polishing’, using those extraneous bits to make
 something completely new, sparkly and fun.
Credits:
-featuring the voice of Lia Stark (@curlsofthefuture)
-mixing help from Atticus Bastow (@custron)
Commissioned for The Wheeler Centre’s Signal Boost 2021 programme