There is Space for You Here (Remember)
Crafted
entirely from fragments of discarded words, mouth sounds and breaths, my
latest, There Is Space For You Here (Remember) explores the spaces we
dispose of in the editing process. All sounds are rooted in land, even
when we try and remove that context through studios and closets and
doonas (duvets), our soundscapes and field recordings and voiceovers
are complicit in the act of colonisation, in the process of capturing
and taking. I’m interested in ways we can recognize this and have more
conversations about audio recording and the politics of land and voice.
In making this piece, I acknowledge the Traditional Custodians of the
land. I recorded this audio on the lands of the Bunurong Boon Wurrung
and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation. I pay
respect to their Elders past, present and emerging and acknowledge that
Aboriginal Australians have one of the oldest storytelling cultures and
ties to land in the world. It was stolen by white settlers and the
struggles for decolonization of this land continue. It always was and
always will be Aboriginal land.
For a while I’ve been interested
in working with the sounds we edit out in the process of making podcasts
, the clicks and pops. Deleted words. Erased breaths. So I made a
piece, a bit of a song if you will, all from bits of space that had been
thrown away during a particular recording session. I’ve been
questioning what makes a voice ‘listenable’ and how to subvert the
process of ‘cleaning and polishing’, using those extraneous bits to make
something completely new, sparkly and fun.
Credits:
-featuring the voice of Lia Stark (@curlsofthefuture)
-mixing help from Atticus Bastow (@custron)
Commissioned for The Wheeler Centre’s Signal Boost 2021 programme